Actors: Isabel Jeans, Franklyn Dyall, Robin Irvine
Dir: Sir Alfred Hitchcock
Based (loosely) on a novel by Noël Coward.
One of the early Hitchcock’s, a silent movie with some supers that tell the audience what is happening. But the brilliance of this movie is that you don’t need those supers, it is simply superb.
From the Jurist’s scribble to the explicit expressiveness of the characters. This probably is one story that tells many stories.
The plot is simple, the mother doesn’t like the woman his son has married. She already has her choice made, so she has to look at ways to chase this woman out of her sons life. How does she do it ?
The best thing about this movie is the fact that one doesn’t realize that this is a silent movie. It makes you realize why Shivaji Ganesan, Rajkumar and Raj Kapoor were so over expressive. You have to be when there are only supers (subtitles) to tell the audience what is happening. The only difference when it comes to our stars is that they were simply over expressive for no reason when they were talking !!
Trivia: Larita runs away from reality to save her easy virtuous past immediately after the trial. Sir Alfred is seen walking past the tennis court of the hotel where Larita stays with a walking stick in his hand. This is just after 16-20 mins into the film.
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